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Publishing

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Memorial is held for Charolette Richards, the Las Vegas Wedding Queen

A memorial has been held for the ‘Las Vegas Wedding Queen’ Charolette Richards, who founded the world-famous Little White Wedding Chapel. 

Richards, who died at the age of 89 last month, pioneered the Las Vegas wedding industry and set up the iconic chapel – which numerous celebrities and lovers have got married at – in 1951. 

She died on December 13 – but Sin City have vowed to make sure that her legacy lives on as hundreds gathered to say farewell. 

January 25, the day of her memorial at her own Little White Wedding Chapel, was recognized as ‘Charolette Richards’ Day’ by County Commissioner Chairman Tick Segerblom.

Couples who decide to wed at the chapel walk through the renowned ‘Tunnel of Love’ after their nuptials – and now the street leading to this will be renamed ‘Charolette’s Way’ in her memory. 

A memorial has been held for the ‘ Las Vegas Wedding Queen’ Charolette Richards, who founded the world-famous Little White Wedding Chapel

Charolette has presided over 500,000 weddings – including this unlikely pairing between a great Dane and a pug

Charolette Richards holds a photo of her with her ex- husband, Merle Richards

The Little White Chapel was once open 24 hours a day. In one day, Charolette performed 124 weddings

Melody Willis-Williams, president of Vegas Weddings and casino money online real Little White Wedding Chapel, said: ‘Everyone in this industry, in the wedding industry in Las Vegas, knows exactly who Miss Charolette Richards is.

‘Her business model, a lot of the other chapels adapted in their own capacity. 

‘Her name is renowned because she was the first of her kind in almost everything that she did. She’s the one they (would) look to to see what’s going to happen next.’

Richards invented the drive-thru wedding trend by complete accident one day, when a couple that wanted to wed in the chapel couldn’t fit inside the door because one of them was in a wheelchair.

Quick-witted Richards then married them outside – conceiving the notion of a drive-thru wedding chapel.

Michael Conti, who worked as a tribute Elvis at the chapel for 30 years, said: ‘She was the trailblazer of the wedding industry, and she was also known as the ‘Queen of the West/Universe,’ because she really started Vegas with the weddings.

‘It opens doors for a lot of the other wedding chapels.’

Charolette Richards, right, and part-time organist Rhoda Jones at the Little White Wedding Chapel in Las Vegas in 2006

Charolette Richards, center, performs a wedding ceremony for Rafael Afonso and his bride, Anna Dacre

Charolette Richards, left, congratulates Bob Reeve, center, and his bride, Lori, both of Arena, Wis., after performing a drive-thru wedding ceromony at the Little White Wedding Chapel in Las Vegas in 2006

Richards was most remembered casino online for money putting Las Vegas on the matrimonial map with the Elvis Pink Cadillac Ceremony, in which couples exchange their vows while sitting in or standing next to Richards’s own long 1971 pink Cadillac. 

Its personalized plates proclaim 4ELVIS beneath a canopy emblazoned with the words THE TUNNEL OF LOVE flanked by two cartoon Cupids firing their arrows into the hot desert sky.

Ms. Charolette, as she was known, leaned over the couple waiting in the lobby of her Little White Wedding Chapel. She looked into their eyes and smiled.

‘I’ve only done this fifty thousand times,’ Richards would often say.

Some couples would ask if they can skip even the quickie ceremony and just pay for a marriage license. Others would show up drunk, barely able to stagger down the aisle. 

But if people are too sloshed or impatient to say vows, Richards would turn them away. To her, the marriage ceremony was sacred, even if it only took ten minutes.

Love in Las Vegas, for Charolette Danielson Richards, started as a hurting thing. She was a young bride who ventured out west with three young sons at her side. 

Wilson Wright, her wandering husband at the time, had sent her one hundred dollars and instructed her to drive their old Ford — ‘a jalopy,’ as she called it — from Sandy Hook, Kentucky, to Las Vegas, Nevada.

He asked to meet him at the Stardust Hotel and Casino, the newest and grandest resort on the Strip.

On June 10, 1959, smack in the middle of a blistering heat wave — with a record-setting number of days without rain, and with the highest temperature reaching one hundred thirteen degrees — Charolette pulled into town.

At this time, The Strip was becoming the main thoroughfare of a town still experiencing growing pains, a place where mobsters rub shoulders with cowboys, and where many of the casinos have Wild West themes, evoking the area’s frontier spirit. 

Charolette Richards applauds from the drive-though window as Sasha Semenoff plays a violin in the background

Richards was most remembered for putting Las Vegas on the matrimonial map with the Elvis Pink Cadillac Ceremony, in which couples exchange their vows while sitting in or standing next to Richards’s own long 1971 pink Cadillac

The invention of the drive-through wedding meant couples didn’t even need to get out of their cars to get hitched

As Elvis reached down and grabbed Charolette’s hand to bring her onstage, she got the idea for an Elvis impersonator wedding. It was an instant hit, and couples flocked to the chapel

She arrived at Stardust, which was the largest hotel in the world at that point, with over one thousand rooms and a massive casino

Wilson ‘Willy’ Wright had swept her off her feet when she was only seventeen years old, dishing up sundaes in an ice cream parlor in Eugene, Oregon. 

He was said to be what was then called a ‘mechanic,’ a gambler who would prearrange the odds in his favor while he was at the table. Wright would saunter in to play in the card games upstairs, always taking the time to order a vanilla shake. 

Months of milkshakes led to a proposal, and Charolette became a teenage bride, married by the justice of the peace. 

Wright took her to live in a series of small towns, until finally, to lighten his load, he left his wife and kids at his parents’ home in Kentucky, and took off. ‘Mr. Wright,’ Charolette Richards later says, ‘was Mr. Wrong.’

Before long, an envelope arrived at the Sandy Hook post office, containing one hundred dollars in cash and instructions for Charolette to take the kids, drive across country, and meet her husband at the Stardust. 

But when she finally arrived, her husband was nowhere to be found. 

Using her last dollars, she rented a cheap motel room and spent the days and nights walking the Strip with her children in tow, scanning the crowds for any sign of Wright. 

After a week of searching, her money was just about gone and the kids are screaming and there is no sign of her husband.

Then, just as she felt like she was about to fall to the pavement, sobbing and exhausted, a ‘very good-looking man’ on the street stopped and smiled at her.

The man introduces himself: Merle Richards, a photographer and the owner of the Little Church of the West wedding chapel. 

He found her a place to stay and a babysitter for her kids and gave her a job at his wedding chapel adjacent to the Algiers Hotel on South Las Vegas Boulevard. 

He picked her up every morning and drove her to work. There, inside the little chapel, Charolette made herself indispensable: taking payments, calling the ministers to perform the ceremonies, keeping the books. 

A few months after her arrival in Vegas, Wilson Wright reappeared, hoping to reconcile. He hadn’t intended to abandon her and the kids on the street, he explained. He’d just been unable to find them. But Charolette is ready to call it quits.

She hitched her star to Merle Richards and his wedding business. Both eventually formally divorce their respective spouses and marry each other. 

Her new husband wasn’t a gambler like Wright, but he has his own demons.

After ten years, her marriage to Merle was over.

Soon after, she was an ordained minister, ready to perform her first wedding. 

She told the couple: ‘You’re the first people I’ve married, so excuse me if I make a mistake.

Recalling the first time, she said: ‘I was proud once I got through, and I started doing those weddings like they were candy.’

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Inside the $3.7bn Fontainebleau – the tallest hotel on the Vegas Strip

It cost $3.7billion (£2.9billion), is the tallest occupiable building in Nevada and took 16 years to complete. 

Now the long-anticipated Fontainebleau resort is finally open.

After a painful development period that saw the casino sit idle, 70 per cent complete, for a decade when funding stalled, the 67-story hotel tower opened its doors to the public on the 13th of December, 2023. 

With 3,644 rooms and standing 737ft (224m) tall, the mammoth property is now an unmissable part of the Las Vegas Strip landscape. Was it worth the wait?

TravelZork, which specialises in Las Vegas accommodation and casino reviews, sent Marc Meltzer (@MeltzVegas) on a secret shopper review to put the hot new spot through its paces. He stayed for two nights during the Christmas holidays, when the hotel was at minimal occupancy. His verdict? The enormous resort is enjoyable enough, but still finding its feet.

Betting on luxury: TravelZork’s Marc Metzler checked in to Fontainebleau Las Vegas, the tallest occupiable building in Nevada

Teething problems: One of the restaurants Marc visited, Vida, offered menus with nothing printed on them (above, a picture Marc tweeted of the error), a sign the hotel was still finding its feet. And advertised as opening at 6am – it didn’t open its doors until 7am, he noted 

‘My first overnight stay at Fontainebleau Las Vegas was a mixed bag,’ writes Marc in his review. ‘Feelings ranged from dealing with new casino opening problems to I love this place! Fontainebleau is new, and not all processes are working at 100 per cent.’

Some of the quibbles Marc had of the hotel he puts down to teething problems, such as incorrect opening hours advertised for restaurants, or glitchy Wi-Fi. One restaurant he visited had completely blank menus.

Staying in the smallest of the hotel’s three available room sizes, a ‘Bleau’ room (also available are Gold and Platinum, the largest and most luxurious suites), Marc compliments the 500-square-foot space for being ‘pretty and comfortable’ and he gives a firm nod of approval to the bed headboard – ‘the star of the bed’ – which he notes had outlets for charging multiple devices on either side.

But he feels the design is anonymous – ‘the modern room design feels like something you’d see on most HGTV [an American cable network dedicated to home renovation programs] design shows’.

And with hotel rates starting at $300 (£239) a night, you might hope, he says, for more than rooms that ‘feel more cozy than luxurious’.

Worth a flutter? Pictured above is Marc’s accommodation at the Fontainebleau – a ‘Bleau’ room, which is the smallest of the hotel’s three available room sizes. Marc says it felt ‘more cozy than luxurious’

Marc gives a firm nod of approval to his bed headboard, which he notes had outlets for charging multiple devices on either side (left) and praises the room for being ‘pretty and comfortable’

Marc’s room view – primarily the empty Las Vegas Festival Grounds and an empty parking lot for the All Net Arena 

The Fontainebleau stands 737ft (224m) tall

What’s more, the view wasn’t much to write home about – the empty Las Vegas Festival Grounds and an empty parking lot for the All Net Arena. 

Not quite the razzle-dazzle one might expect. 

Marc reveals what was promised and what was delivered.

He writes: ‘According to the Fontainebleau website, the Bleau rooms only come with a mountain view. We requested a Strip view and ended up with a little bit of both.

‘Technically, the Las Vegas Festival Grounds and empty lot for All Net Arena are on the Vegas Strip. Likewise, I can see the mountains to the west.’

Marc wasn’t too fazed, though: ‘I don’t spend much time looking out the windows, so this isn’t a big deal for me. The Gold rooms have views of the pools, mountains, and/or Vegas Strip if you’re looking for the best view.’ 

Marc is more fulsome in his praise for the hotel’s food and drink options. With 16 full-service restaurants and seven more ‘casual’ eateries in the Promenade (36 bars and restaurants in total) he couldn’t visit them all in his 48-hour stay, but was delighted with those he did.

He declares a slice of pepperoni pizza ($9/£7) from Miami Slice ‘delicious… the small pepperonis were ample and crispy’. At the other end of the financial spectrum, he was also impressed with the NY Strip Steak ($80/£63) he ate at Don’s Prime Steakhouse, which he says was a ‘perfect medium rare plus’.

He adored his visit to ‘Nowhere’ bar, a bustling spot where a live jazz band played old standards and the drinks were reasonably priced, while a room service breakfast of bacon and eggs was delivered speedily and proved delicious ($40/£31).

Don’s Prime Steakhouse at the Fontainebleau. One of two steakhouses on site, the upscale eatery offers ‘perfect’ NY Strip Steak according to reviewer Marc

The vast casino floor has 1,300 slot machines and 128 gambling tables 

The decadent casino floor at Fontainebleau, which cost $3.7billion (£2.9billion)

A pizza the action: What the Fontainebleau may have lacked for in ambience it made up for in sustenance, with Marc singing the praises of the gambling palace’s many food and drink offerings, particularly the ‘delicious’ $9 pepperoni pizza slices at Miami Slice (left). Pictured right – Marc’s cooked breakfast

Taking to the complex’s vast casino floor (Fontainebleau has 1,300 slot machines and 128 gambling tables) Marc notes that while the staff were friendly the minimum stake for games seemed to fluctuate with little rhyme or reason.

He notes: ‘Table minimums seemed to change often. I was at one Pai Gow Poker table where the minimum went from $15 to $25.’

Much was written about the design of the Fontainebleau ahead of its opening. ‘Art, architecture, and design are key components of our Fontainebleau culture and guest experience,’ Brett Mufson, Fontainebleau Development president, said in a statement ahead of the opening. After his visit, reviewer Marc concludes the complex was ‘beautiful but there’s no soul’.

Putting aside his concerns about the property’s teething problems, this was his major issue with his stay – the Fontainebleau seems to lack a sense of identity.

He argues: ‘Fontainebleau is a massive property that doesn’t have much of a vibe yet. That will take time to develop.

‘I have mixed feelings about Fontainebleau after spending 48 hours at the property. It’s usually somewhat easy to see the vision of a casino after one walk-through. I still don’t have a vision for the future of this property.

‘Frankly, nobody does. There will be changes large and small over the next few years.’

‘Art, architecture, and design are key components of our Fontainebleau culture and guest experience,’ Brett Mufson, Fontainebleau Development president, said in a statement ahead of the opening. This sculpture is titled History of Suspended Time and stands at one of the entrances

According to Marc, the Fontainebleau’s size seems to work against it having a ‘vibe’. ‘The property is beautiful, but it also feels like an airport or mall at times… there are also wide-open spaces around the property that feel cold. It’s almost like the building has too much space,’ he writes

Part of the issue seems to be the Fontainebleau’s sheer scale.

Marc writes: ‘The property is beautiful, but it also feels like an airport or mall at times. The casino areas are cozy but there are also wide-open spaces around the property that feel cold. It’s almost like the building has too much space.’

Although he had fun, as a long-time gambler and Vegas expert he couldn’t easily see who the hotel was designed for.

He adds: ‘Unlike some of the newest casinos opening, I’m unsure who Fontainebleau’s customers will be moving forward. The Christmas crowd had way too many families and they’re never indicative of a hardcore casino customer base on the Vegas Strip.

‘The number one takeaway is to be patient if you visit Fontainebleau soon.’

This article was written with the kind permission of TravelZork. To ready the original, visit travelzork.com/48-hours-fontainebleau-las-vegas/#h-what-s-the-vibe-fb-las-vegas. Find TravelZork on X (formerly Twitter) at @TravelZork and on Instagram at website

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Last-ditch plea as window closes to nab accused killer

An appeal has been made directly to the Greek “motherland” as the window closes to bring an alleged murderer to justice for a 25-year-old killing.

Father-of-two George Giannopolous was fatally stabbed when he intervened during a fight in a Sydney suburban nightclub on Anzac Day in 1999.

His sister on Tuesday made a public appeal in both English and Greek for information to help hold the 32-year-old’s accused killer, James Dalamangas, accountable for the Belmore attack.

“It’s been 25 years of battling through loss and grief with casino bonus no deposit online justice or closure to help us through this pain,” Toula Giannopolous said.

Police have never been able to trace Dalamangas – an underworld figure considered one of Australia’s most-wanted men – after he reportedly fled to Greece shortly after a warrant was issued for his arrest.

After attempts to extradite him failed in 2003, online no deposit casino bonuses no deposit Greek authorities agreed to begin their own prosecution over his alleged role in the killing.

That process was suspended in 2007 when he could not be located, but investigators believe he is still residing in the European country.

Ms Giannopolous said her brother was a loving husband and father, adding that the siblings’ now-elderly parents had long suffered because of his death.

“I believe there’s people both here and in Greece who are covering (Dalamangas) up and it makes it damn hard for my family,” she said.

Ms Giannopolous called for the alleged murderer to turn himself in, saying justice would mean everything to her family.

NSW Police superintendent Grant Taylor latest bonus casino said police believed there were people in Greece who knew where Dalamangas could be found.

“We want to emphasise that the family is Greek as well,” he said.

“They’re appealing to the hearts of the motherland.”

Australian Federal Police superintendent Jared Taggart said his organisation had been working closely with Hellenic Police as the 25-year-long Greek statute of limitations neared its end in April.

Once the period was up, the prosecution of Dalamangas within Greece was unlikely.

“We will continue to do whatever we can to bring him back to Australia,” Detective Superintendent Taylor said.

A $200,000 reward remains in place for information leading to Dalamangas’s arrest and police released an image of what the 54-year-old may look like today.

Dalamangas’s brother Peter died in 1998 after being held to the ground by up to seven security officers during an altercation at Sydney’s Star City casino.

A magistrate described the now-fugitive as the “catalyst” for the brawl, in which he was also injured.

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