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Inside the $3.7bn Fontainebleau – the tallest hotel on the Vegas Strip

It cost $3.7billion (£2.9billion), is the tallest occupiable building in Nevada and took 16 years to complete. 

Now the long-anticipated Fontainebleau resort is finally open.

After a painful development period that saw the casino sit idle, 70 per cent complete, for a decade when funding stalled, the 67-story hotel tower opened its doors to the public on the 13th of December, 2023. 

With 3,644 rooms and standing 737ft (224m) tall, the mammoth property is now an unmissable part of the Las Vegas Strip landscape. Was it worth the wait?

TravelZork, which specialises in Las Vegas accommodation and casino reviews, sent Marc Meltzer (@MeltzVegas) on a secret shopper review to put the hot new spot through its paces. He stayed for two nights during the Christmas holidays, when the hotel was at minimal occupancy. His verdict? The enormous resort is enjoyable enough, but still finding its feet.

Betting on luxury: TravelZork’s Marc Metzler checked in to Fontainebleau Las Vegas, the tallest occupiable building in Nevada

Teething problems: One of the restaurants Marc visited, Vida, offered menus with nothing printed on them (above, a picture Marc tweeted of the error), a sign the hotel was still finding its feet. And advertised as opening at 6am – it didn’t open its doors until 7am, he noted 

‘My first overnight stay at Fontainebleau Las Vegas was a mixed bag,’ writes Marc in his review. ‘Feelings ranged from dealing with new casino opening problems to I love this place! Fontainebleau is new, and not all processes are working at 100 per cent.’

Some of the quibbles Marc had of the hotel he puts down to teething problems, such as incorrect opening hours advertised for restaurants, or glitchy Wi-Fi. One restaurant he visited had completely blank menus.

Staying in the smallest of the hotel’s three available room sizes, a ‘Bleau’ room (also available are Gold and Platinum, the largest and most luxurious suites), Marc compliments the 500-square-foot space for being ‘pretty and comfortable’ and he gives a firm nod of approval to the bed headboard – ‘the star of the bed’ – which he notes had outlets for charging multiple devices on either side.

But he feels the design is anonymous – ‘the modern room design feels like something you’d see on most HGTV [an American cable network dedicated to home renovation programs] design shows’.

And with hotel rates starting at $300 (£239) a night, you might hope, he says, for more than rooms that ‘feel more cozy than luxurious’.

Worth a flutter? Pictured above is Marc’s accommodation at the Fontainebleau – a ‘Bleau’ room, which is the smallest of the hotel’s three available room sizes. Marc says it felt ‘more cozy than luxurious’

Marc gives a firm nod of approval to his bed headboard, which he notes had outlets for charging multiple devices on either side (left) and praises the room for being ‘pretty and comfortable’

Marc’s room view – primarily the empty Las Vegas Festival Grounds and an empty parking lot for the All Net Arena 

The Fontainebleau stands 737ft (224m) tall

What’s more, the view wasn’t much to write home about – the empty Las Vegas Festival Grounds and an empty parking lot for the All Net Arena. 

Not quite the razzle-dazzle one might expect. 

Marc reveals what was promised and what was delivered.

He writes: ‘According to the Fontainebleau website, the Bleau rooms only come with a mountain view. We requested a Strip view and ended up with a little bit of both.

‘Technically, the Las Vegas Festival Grounds and empty lot for All Net Arena are on the Vegas Strip. Likewise, I can see the mountains to the west.’

Marc wasn’t too fazed, though: ‘I don’t spend much time looking out the windows, so this isn’t a big deal for me. The Gold rooms have views of the pools, mountains, and/or Vegas Strip if you’re looking for the best view.’ 

Marc is more fulsome in his praise for the hotel’s food and drink options. With 16 full-service restaurants and seven more ‘casual’ eateries in the Promenade (36 bars and restaurants in total) he couldn’t visit them all in his 48-hour stay, but was delighted with those he did.

He declares a slice of pepperoni pizza ($9/£7) from Miami Slice ‘delicious… the small pepperonis were ample and crispy’. At the other end of the financial spectrum, he was also impressed with the NY Strip Steak ($80/£63) he ate at Don’s Prime Steakhouse, which he says was a ‘perfect medium rare plus’.

He adored his visit to ‘Nowhere’ bar, a bustling spot where a live jazz band played old standards and the drinks were reasonably priced, while a room service breakfast of bacon and eggs was delivered speedily and proved delicious ($40/£31).

Don’s Prime Steakhouse at the Fontainebleau. One of two steakhouses on site, the upscale eatery offers ‘perfect’ NY Strip Steak according to reviewer Marc

The vast casino floor has 1,300 slot machines and 128 gambling tables 

The decadent casino floor at Fontainebleau, which cost $3.7billion (£2.9billion)

A pizza the action: What the Fontainebleau may have lacked for in ambience it made up for in sustenance, with Marc singing the praises of the gambling palace’s many food and drink offerings, particularly the ‘delicious’ $9 pepperoni pizza slices at Miami Slice (left). Pictured right – Marc’s cooked breakfast

Taking to the complex’s vast casino floor (Fontainebleau has 1,300 slot machines and 128 gambling tables) Marc notes that while the staff were friendly the minimum stake for games seemed to fluctuate with little rhyme or reason.

He notes: ‘Table minimums seemed to change often. I was at one Pai Gow Poker table where the minimum went from $15 to $25.’

Much was written about the design of the Fontainebleau ahead of its opening. ‘Art, architecture, and design are key components of our Fontainebleau culture and guest experience,’ Brett Mufson, Fontainebleau Development president, said in a statement ahead of the opening. After his visit, reviewer Marc concludes the complex was ‘beautiful but there’s no soul’.

Putting aside his concerns about the property’s teething problems, this was his major issue with his stay – the Fontainebleau seems to lack a sense of identity.

He argues: ‘Fontainebleau is a massive property that doesn’t have much of a vibe yet. That will take time to develop.

‘I have mixed feelings about Fontainebleau after spending 48 hours at the property. It’s usually somewhat easy to see the vision of a casino after one walk-through. I still don’t have a vision for the future of this property.

‘Frankly, nobody does. There will be changes large and small over the next few years.’

‘Art, architecture, and design are key components of our Fontainebleau culture and guest experience,’ Brett Mufson, Fontainebleau Development president, said in a statement ahead of the opening. This sculpture is titled History of Suspended Time and stands at one of the entrances

According to Marc, the Fontainebleau’s size seems to work against it having a ‘vibe’. ‘The property is beautiful, but it also feels like an airport or mall at times… there are also wide-open spaces around the property that feel cold. It’s almost like the building has too much space,’ he writes

Part of the issue seems to be the Fontainebleau’s sheer scale.

Marc writes: ‘The property is beautiful, but it also feels like an airport or mall at times. The casino areas are cozy but there are also wide-open spaces around the property that feel cold. It’s almost like the building has too much space.’

Although he had fun, as a long-time gambler and Vegas expert he couldn’t easily see who the hotel was designed for.

He adds: ‘Unlike some of the newest casinos opening, I’m unsure who Fontainebleau’s customers will be moving forward. The Christmas crowd had way too many families and they’re never indicative of a hardcore casino customer base on the Vegas Strip.

‘The number one takeaway is to be patient if you visit Fontainebleau soon.’

This article was written with the kind permission of TravelZork. To ready the original, visit travelzork.com/48-hours-fontainebleau-las-vegas/#h-what-s-the-vibe-fb-las-vegas. Find TravelZork on X (formerly Twitter) at @TravelZork and on Instagram at website

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Sharon Stone reveals biggest fear for her sons in today’s society

Sharon Stone’s biggest worry about her teenage sons growing up in today’s society is their exposure to online pornography.

The actress, 65, is mother to her adopted teenagers Quinn, 17, Laird, 18, and an older adopted son Roan, 23.

America star Sharon adopted her eldest son with her ex-husband Phil Bronstein, who she split from in 2004, and then adopted Laired in 2005 and Quinn a year later.

She has now revealed her concerns for her boys as they grow into young adults. 

Sharon told Harper’s Bazaar Spain: ‘Without a doubt Internet pornography. Although I hate the image that it projects of women, I find the way in which it steals intimacy and the joy of that intimacy even more serious.’

Sharon Stone’s biggest worry about her teenage sons growing up in today’s society is their exposure to online pornography (Sharon pictured last month)

The actress, 65, is mother to her adopted teenagers Quinn, 17, Laird, 18, and an older adopted son Roan, 23

The screen star went on to say she believes society has not shifted too much despite the rise of feminism and movements such as Me Too, the survivor-led movement against sexual abuse and violence.

When asked if it it’s better being a woman in the western world today, she said: ‘No. At least in the United States. 

‘I think men were so intimidated by #MeToo that to punish us they decided to cancel Roe v. Wade [refers to the decision of the United States Supreme Court to overturn a 1973 ruling that guaranteed abortion in the country]. 

‘#MeToo made them behave like rabid animals.’

It comes after it emerged Sharon pitched studio executives a Barbie movie in the 1990s.

But the blonde beauty – who was very hot off her thriller Basic Instinct at the time – said she was laughed at. 

The Casino actress recalled how film chiefs poured scorn on her idea for a film about the iconic toy doll.

Now she is grateful for the changes that have happened in Hollywood that led to Margot Robbie’s hugely successful blockbuster last year.

Sharon pitched studio executives a Barbie movie in the 1990s. But the blonde beauty – who was very hot off her thriller Basic Instinct at the time – said she was laughed at

The Casino actress recalled how film chiefs poured scorn on her idea for a film about the iconic toy doll. Now she is grateful for the changes that have happened in Hollywood that led to Margot Robbie’s hugely successful blockbuster last year

Commenting on an Instagram post showing Barbie star America Ferrera’s speech at the Critics Choice Awards last weekend, Sharon wrote: ‘I was laughed out (of) the studio when I came (with) the Barbie idea in the ’90s (with) the support of the head of Barbie.

‘How far we’ve come. Thank you ladies for your courage and endurance,’ the Quick And The Dead actress added.

Sharon is not the only actress who has seen a Barbie movie fail to materialise.

Anne Hathaway had held initial talks with both Sony and Mattel about starring as the doll in a picture.

However, the Armageddon Time star thinks it is ‘lucky’ that her movie was shelved as Greta Gerwig’s film proved to be a smash hit when it was released last summer.

Speaking on the Happy Sad Confused podcast, she said: ‘What’s so exciting about what Greta and Margot and that phenomenal team [did] is they hit a bullseye.

‘The bullseye caused the entire world to reach this level of ecstasy. Now imagine that version…that much energy, that much anticipation, that much emotion…but it’s not the right version. I actually think of it as a lucky thing [it didn’t get made].’

Commenting on an Instagram post showing Barbie star America Ferrera’s speech at the Critics Choice Awards last weekend, Sharon wrote: ‘I was laughed out (of) the studio when I came (with) the Barbie idea in the ’90s (with) the support of the head of Barbie

Joe Pesci and Stone with their arm around each other in a scene from the film Casino, 1995

Anne doubts that her movie could have lived up to the hype surrounding Margot and Greta’s project.

She said: ‘If I believed that the version I was attached to could have done that, I might feel differently about it, but I genuinely think their film was the best possible version.

‘It’s easy just to be thrilled and happy [for them]. I love watching women kill it. To do so well, so undeniably that they actually had to write new records…come on! I think it will probably make things better.’

Amy Schumer also hoped to star in a Barbie movie. 

This comes after Stone said she already has an actress in mind to play her in a movie about her life.

The movie icon went from brainy and bullied student in Pennsylvania to bombshell movie star thanks to Basic Instinct then to stroke victim to survivor and now painter, she detailed in her tell-all book The Beauty of Living Twice.

The 65-year-old blonde bombshell was dressed in a Barbie pink blazer when she sat down with The Lady Gang Podcast to discuss the person who could fill the diva’s stilettos.

Stone said Margot Robbie, 33, was the perfect star.

Stone wants Margot Robbie to play her in a movie, she told The Lady Gang podcast this week. Sharon, left, last year and Margot, right, in the Barbie movie

‘I adore Margot Robbie so probably her,’ offered the actress. ‘She is so talented. After I saw her playing Tonya Harding I was like you’re it.’

The former Playboy cover girl also agreed that Robbie was ‘the greatest’ as she chatted with the two female hosts.

Robbie is at the height of her career at the moment after starring in this year’s summer blockbuster Barbie which, so far, has made $1.4B at the global box office.

The film, about how Barbie and Ken are having the time of their lives in the colorful and seemingly perfect world of Barbie Land, showed off not just Margot’s beauty but also her ability to switch between perfect and imperfect at the drop of a hat.

America FerreraMargot RobbieCritics Choice Awards

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